Artist’s Statement: This is a ShootAir group photography exhibition. Most members of this group are of Japanese background and live in the Bay Area. We hold quarterly workshops, inviting San Francisco-based Japanese photographer Hiroyo Kaneko as the group’s instructor.
“You, Me, In-between” exhibits color and black-and-white photographs from various members of the group. The photographic content varies from landscapes to snapshots. “You” represents a viewer’s face, while “me” represents a photographer, through photos of objects “in between.” A photographer (“me”) faces the photographic subject, attempting to capture “something” between them in a photo. On the other side, a viewer (“you”) faces the photographer, trying to find or understand the “something” in the photo that the photographer has captured. “You” and “me” are thus connected through the photos of the “some things” “in between.”
From the Beginning: 20 Years of Digital Photography September 21–October 19, 2013 Keeble & Shuchat Learning Center Gallery
Stephen Johnson is internationally recognized as a “digital photography pioneer” with a unique artistic vision often referred to as a “new realism.” His work has been featured in Communication Arts, Life Magazine, American Photo, Outdoor Photographer, and ABC Discovery News, among many others. His books include At Mono Lake, the award-winning and critically acclaimed The Great Central Valley: California’s Heartland, Making a Digital Book and Stephen Johnson on Digital Photography. Johnson’s photographs have been exhibited, published and collected in the United States, Europe, Mexico and Japan.
In 1994 he embarked on With A New Eye, the ground breaking all digital photographic look at American National Parks. Steve was recognized by Apple Computer in 1997 with a ColorSync Profiling Excellence Award. In 1999, Folio Magazine declared the publication of Johnson’s digital photographs in Life Magazine to be one of the Top 15 Critical Events in magazine publishing in the twentieth century. In 2003 he was inducted into the Photoshop Hall of Fame. Canon named Steve as one of their Explorers of Light in 2006 and sponsors speaking engagements with him around the country. In 2007 X-Rite named Stephen as a founding member of their exclusive Coloratti group of photographers and educators honored for their skills in color management.
Steve’s consulting experience in digital photography puts him in the singular position of photographing with a camera he had deep influence on, editing with software he played real roles in expanding and customizing, printing on printers he helped design, on paper he did design. His has been a truly remarkable career journey, pioneering a level of involvement in the development of the tools of his trade that may be unprecedented.
Stephen is well-known for his passionate lectures and deep love for the traditions of fine photography. His photography Studios, Galleries and Education Center are located in Pacifica, California. Steve offers hands-on workshops in his studio, throughout the US and internationally.
September 12 through October 8, 2013 Reception: September 25 2-4 PM
Polar Bears Of Churchill, Manitoba: A Photographer’s Perspective. Each fall, polar bears congregate on the shores of Hudson Bay, waiting for it to freeze. After fasting on land for months, they’re eager to hunt ringed seals on the bay ice. Join wildlife photographer and world traveler Jim Liskovec for a show of 35 prints from his eight-day adventure, photographing the polar bears in Churchill, on the western shore of Hudson Bay. Jim shares his experiences exploring the Churchill Wildlife Management Area by “tundra buggy”, giving a close-up view of his encounters with 60-80 bears, as well as other species such as Arctic fox, Arctic hare, and Willow ptarmigan. Learn about polar bears’ unique adaptations to the fierce cold and how Arctic warming threatens the survival of these majestic animals.
Wildlife of Rancho San Antonio County Park and Open Space Preserve:Close encounters. A companion group of 12 prints will be on display from his many years of photographing at Rancho San Antonio. The park and preserve are very popular with hikers, runners and walkers. As a result the mammals and birds are more comfortable with people, allowing close encounters.
August 15 through September 11, 2013 Reception: August 17 2-5 PM
Places, Spaces, Marks & Arcs exhibits color and black & white photographs by Bay Area artist Glenn Edens. Places shares his passion for the natural landscape and the unique beauty of the American West. Spaces explores his fascination with architecture and constructed spaces. Marks examines signage and the defacing act of graffiti as art. Arcs presents a fanciful study of pure light and color.
Glenn works in a variety of media besides photography, including drawing, watercolor, acrylics, typography, sound and film. His journey and passion for photography began at an early age. By thirteen he had built his first darkroom and twenty years ago he began experimenting with digital imaging. Photography has been a constant part of his life. An aspect of Glenn’s life and art is that he’s partially sighted, giving him a unique perspective on the visual arts.
His art and design is in private collections and museums, including the permanent collections of the Smithsonian and the Museum of Modern Art in New York. He began his career aspiring to be an architect, however in the early seventies he was drawn to computers and the dawning digital age we now take for granted. His non-art career includes invention of the laptop computer, creation of the first digital audio editing workstation and work at industrial research laboratories such as Xerox PARC. Keeping one foot in high tech and one in art he’s run an urban symphony orchestra and helped establish the 01sj biennial art festival. His professional photographic work includes scientific, industrial and product photography as well as teaching workshops, fine art printing and print sales.
His work is influenced by the intersection of art and science, traditional art training, a career in technology, and admiration for artists such as Ansel Adams, Minor White, Alain Briot, Charles and Ray Eames, Marc Chagall, Edvard Munch and Georgia O’Keefe. Glenn believes that, “Art and science are intertwined: art informs science while science makes art possible.” The exhibit at the Keeble and Shuchat Gallery features work created with digital imaging systems and a few works from scanned film.
July 11 through August 14, 2013 Reception: July 20 1-4 PM
Jerry Welch was born and raised in Mustang, Oklahoma, a small town near Oklahoma City. He moved to California for college, first to L.A. and then settling in the Bay Area. He studied Ecology and Fisheries Management at San Jose State University. In 1997 he left his graduate program to go work for a (then) small internet company by the name of Yahoo!.
Like many kids he developed and interest in photography in high school, but it remained a casual interest until around the late 90s. Since that time he has worked with both analog and digital, 35mm and 4×5.
In 2002 Jerry took a workshop over near Mono Lake from Stuart Scofield. This turned out to be a watershed event in his thinking about photography. That workshop led to others and eventually Jerry began assisting in Stuarts workshops.
His show at Keeble & Shuchat represents work spanning 15 years and representing wide range of subject matter and techniques.
April 11 through May 8, 2013 Reception: April 20 1-4 PM
Debashish Basak, originally from India, got fascinated with nature photography from his childhood. He was raised in different regions of rural India, which gave him opportunity to explore the scenic beauty of the countryside. His love for nature and his mother’s love of gardening gave him the passion for photography.
An Electronics & Computer Engineer by profession, he indulges in his passion of photography at every opportunity he comes across. His main themes are Landscape and Macro photography. He prefers keeping his photos as pure as possible without any major enhancements through any software.
Debashish started using the family camera (Yashica) from 1982 and experimented with it. He has never attended any professional photography course, but improved himself on field experimenting and learning the hard way.
Encouraged by his wife-Ruma, son-Debarshi and various close friends, he has transformed from a hobbyist to a serious amateur, covering various events.
The exhibit at Keeble & Shuchat Photography showcases his long journey in his passion for photography.
March 14 through April 17, 2013 Reception: March 17 1-4 PM
Rhythm 2013 represents the work of 15 photographers from the sixth, seventh and eighth sessions of the six month-pre-visualization workshops conducted by Richard Dischler in Palo Alto and the first session conducted in Oakland.
Please join us for a reception with the photographers and Richard Dischler on March 17th from 1pm to 4pm.
Members from Dischler’s current and previous six month and one year pre-visualization workshops continue to receive public recognition for their work in juried and non-juried local, regional, national and international art and photography exhibits.
January 10 through February 13, 2013 Reception: January 19th 3-5 PM
Growing up, I always had a passionate connection to pop music. As a teenager, some of my best friends were UK music magazines like Melody Maker, Sounds, and NME. Photos by Kevin Cummins and Anton Corbijn transported me from my bedroom in San Francisco to the front row of an Echo and the Bunnymen concert in Liverpool, or to an icy subway tunnel in Manchester with Joy Division. Tour programs and album liner notes bridged the continents and made me feel closer to my favorite acts. It all seemed so untouchable; at the time, even the idea of seeing my favorite bands play a live show seemed like a daydream.
One of the first artists I captured on film was Morrissey, during his first solo performance following The Smiths’ split. The anticipation and adoring adulation of his fans stirred emotions I’d never experienced before. It was then that I chose to explore the relationship between fan and artist through photography. Musicians may rehearse for a performance, but the fans complete the exchange of dynamic energy that fluctuates from one performance to the next; it’s never the same twice.
I hope those viewing my work will feel the unique rush of literally being between the spectator and performer. Whether a show is intimate and sparse, or in a field with ten thousand fans, my mission is to capture the intense emotion of this unique relationship. It might seem to happen all the time, but really only takes place “Once In A Lifetime.”
Whatever the setting, life presents an endless panorama of potential images with impact.
Whether presenting a story with many images and one theme, or individual images with many themes, the photographer seeks to present meaning and emotion from what is seen and experienced in life!
Daniel and Eric here present a varied selection of images which including still life, landscape, Kosovo protest, Burning Man, and Occupy Oakland. Regardless of subject, each image has it’s own message. These photographs explore varied situations, presenting some of life’s great themes for us to contemplate! Color and monochrome each have strengths, so both are used here. Digital and traditional imaging are both seen in the pictures shown.
Daniel was taught by his father, then received formal training at three schools as well as pursuing extensive self-learning. His photojournalism was widely published, and he has won many first-place awards for images in competition. Eric loves traditional imaging, but also has a great interest in video since he is employed as a video cameraman at a local television station.